Showing posts with label Pierre Yves Lemieux. Show all posts
Showing posts with label Pierre Yves Lemieux. Show all posts

Monday, October 22, 2012

La Belle et la Bête at the Arts Emerson in Boston from December 5th to December 9th, 2012








Following the sucess of their play La Belle et la Bête at Toronto’s Luminato Festival,
Lemieux Pilon 4D Art is pleased to announce 6 shows at the ArtsEmerson in Boston this winter:

Wednesday, December 5th at 7pm
Thursday, December 6th at 7 :30pm
Friday, December 7th at 8pm
Saturday, December 8th at 2pm
Saturday, December 8th at 8pm
Sunday, December 9th at 2pm


You can buy your tickets here

Wednesday, July 18, 2012

La Belle et la Bête's review from Luminato



A fairy tale of 4D visual beauty

REVIEWED BY PAULA CITRON 

Five years ago, Toronto discovered the immense imagination of Montreal’s Lemieux Pilon 4D Art, who brought their show, Norman, to Luminato’s 2007 edition. The brilliant show fused the experimental films of Canadian cinematic pionner Norman McLaren with live dancer Peter Trosztmer. 
The amazing Michel Lemieux and Victor Pilon of 4D Art are back once again on the Luminato playbill. Their latest show is La Belle et la Bête : A Contemporary Retelling, an awe-inspiring production that cunningly integrates text and technology to create new visual theatre form all its own.
Lemieux and Pilon were inspired by the classic fairy tale, Beauty and the Beast. For them, we all have the beast inside us : our psyches are deformed by our never-ending quest for beauty – a word which can stand for perfection, happiness, love – the curse of today’s individualistic society.
In his grief over a lost love, the Beast (Stéphane Demers) has isolated himself in his castle. He meets Belle (Bénédicte Décary) when she comes to deliver a rose medaillion from her father. Belle is also a visual artist whose inner trauma of abandonment is reflected in her blood-smeared paintings of bound figures. There is also the mysterious narrator called The Lady (Diane D’Aquila) who is the Beast’s protector.
The text by poet Pierre-Yves Lemieux is a bit windy, and is the weakest part of the show.
Yet the glory of La Belle et la Bête lies in its integration of film and live action. Anne-Séguin Poirier’s set is a platform between two borders, with the borders acting as projection screens. Projections also appear on the back and sides of the playing area, and at some points, cover the entire walls of the theatre itself. In fact, at times, it’s hard to know what is real and what is not.
When you layer in composer Michel Smith’s atmospheric cinematic score, and Alain Lortie’s evocative lighting, La Belle et la Bête is a masterpiece of arts fusion.
The show begins with The Lady and a large copy of Henry Fuseli’s 1781 oil painting The Nightmare. The famous picture features a woman asleep with an ugly gremlin hovering over her naked body. As The Lady talks to us about the beast within, the picture slowly revolves, bringing the gremlin more and more into a larger focus until it dominates the screen.
We first meet Belle in her low rent studio which is established by virtual walls. Pictures of her tortured bound figures are everywhere. She dips her hand into a real pail, and with a flinging motion, throws smears of virtual red paint all over paintings. The timing is perfection.
And then there are the masterful holograms.
That a show with so many visual delights is also erotic, poetic and philosophical just gilds the lily.

Tuesday, May 15, 2012

La Belle et la Bête to tour in France in 2013



Starting with eight representations at the Theatre national de Chaillot in Paris, Michel Lemieux and Victor Pilon’s, La Belle et la Bête will tour France in February and March 2013.  The tour will take the company to Compiègne, Arcachon, Bayonne, Colombes, Nevers and Ste-Maxime  ( a few other stops to be confirmed soon). 

It is a return to the prestigious Théâtre de Chaillot by Lemieux Pilon 4D Art who had presented in 2010, their previous multidisciplinary show Norman during the Anticode Festival.

The show will star Bénédicte Décary (as Belle), Louise Laprade (as The Lady) and Stéphane Demers (as the Beast). Anne-Marie Cadieux (the Sister) and Peter James (the Demon) will appear virtually.
The team has been rehearsing for the past month in an old boat factory in Montréal La Belle et la Bête for the world English language premiere at Toronto’s Luminato Festival in June 2012.  The show will also be presented at Arts Emerson Theater in Boston in December 2012.
Check out The Gazette’s article with photos and a vidéo of the new version in English: Beauty and the Multimedia Beast

 Photo by Allen McInnis

Wednesday, April 4, 2012

Michel Lemieux and Victor Pilon’s La Belle et la Bête : A Contemporary Retelling to première in June at the Luminato Festival in Toronto


Michel Lemieux and Victor Pilon (Norman, Delirium) premiere the English-language version of their award-wining show, La Belle et la Bête at the Luminato Festival in Toronto in June 2012. La Belle et La Bête : A Contemporary Retelling, created by Michel Lemieux, Victor Pilon and Pierre-Yves Lemieux, translated by Maureen Labonté, now begins its touring career outside Quebec. Following this premiere, the production will subsequently be presented in the 2012-13 season of ArtsEmerson in Boston. The production features Bénédicte Décary (Belle) : Stéphane Demers (the Beast) and Diane D’Aquila (the Lady), with Anne-Marie Cadieux (the Sister) and Peter James (the Lady’s demon) appearing virtually. The show runs at the Bluma Appel Theatre from June 8th to June 12th 2012.


« …striking, exciting, convincing…an extraordinary show » Benoit Aubin, Le Journal de Montréal 23 janvier 2011.


Adored by the media, with a sold-out run in Montreal and across Québec, this contemporary adaptation of the classic tale won three Gascon-Roux awards (awards for Directing/Staging, Set Design and Lighting). Initially produced for the Théâtre du Nouveau Monde (TNM), La Belle et la Bête is a co-production of Lemieux Pilon 4D Art, Luminato and the Scène Nationale de l’Oise (France).

Watch the video of Michel Lemieux and Victor Pilon presenting La Belle et la Bête: A Contemporary Retelling at the Luminato press conference.



Tuesday, November 9, 2010

La Belle et la Bête's synopsis

You are curious about what our version of La Belle et la Bête will be like? To give you a little preview, here is the synopsis of our show. 


La Belle et la Bête
A coproduction Lemieux Pilon 4D Art and Théâtre du Nouveau Monde
Conceived and directed by Michel Lemieux and Victor Pilon
Text by Pierre Yves Lemieux

Approximately 90 minutes, no intermission

In this contemporary take on a beloved classic, creators and producers Michel Lemieux and Victor Pilon (Norman, La Tempête, Anima) deliver the timeless fairy tale of La Belle et la Bête in an astonishing new multi-disciplinary performance.

Though the compelling characters in this stunning new production are scarred, they manage to transcend their pain through their inexhaustible thirst for life.  They are intense, luminous beings, despite the shadows and wounds that so deeply mark them.

Belle grew up with loving parents, and an older sister who was a great storyteller.  But as her sister began to grow distant, caught up in a world of superficial pleasures, Belle found her own way through painting - encouraged on by her father, a reputable art dealer - until tragedy struck. Belle's beloved mother died suddenly, and her father, overcome with grief, pulled away from the younger daughter who bore such a striking resemblance to his lost love. 

Through her painting, Belle not only finds a way to make sense of her world, but also finds it to be the last thread that links her to her dear father.  Little does she know, however, that her artistic pursuit would also set the stage for an encounter with her father's most demanding client.

As Belle immerses herself in the solitary life of a painter, a man also seeks solitude after the death of the love of his life.  Grief stricken, he shuts himself up in his splendid manor until, one day, he tries to escape the unbearable pain in a gesture that leaves him grossly disfigured - a Bête.  With this, he withdraws even further from the world.

When Belle shows up at the manor - to deliver the last rose of a stone medallion that her father had promised to his client  - she stirs up memories of happier times that add salt to the Bête’s wounds and further his resolve to remain deaf to any offerings of concern or friendship. 

This chance encounter strikes at the very core of their steadfast resistance.  But while Belle willingly yields to the feelings that begin to fill her heart, the Bête is terrified by the chink in his emotional armor.  He sees no other way to protect himself but to waste away and die.

All the while, watching from the sidelines is La Dame - a world scholar on fairy tales, and the striking older woman who has long harbored a deep love for the Bête.  After suffering in silence for this man who had literally shut himself off from the world, La Dame finally relinquishes her hope.  As the weight of the years finally takes hold of her, she concedes that the only person that can possibly breathe la Bête back to life is Belle. 

Masters of osmosis, blending real and virtual imagery, Lemieux Pilon 4D Art has once again set new standards with this production.   All elements of the presentation  - from Belle's paintings to the characters' dramatic metamorphoses  - spring to life via virtual imagery.   And the virtuosity deployed by the creators to tell the universal story of resilience and the redemptive power of love against all odds will surely hold audiences spellbound.