Tuesday, February 22, 2011

La Belle et la Bête on tour

Photo by Yves Renaud
The run of La Belle et la Bête at Théâtre du Nouveau Monde will be over by February 24th, but it's not the end for this love story à la Lemieux Pilon. From March 8th, it will be touring the province of Quebec as part of Les Sorties du TNM. The show will be played in six cities. If you don't already have your tickets, hurry up, because they are selling fast!

 


The tour

Thursday, February 3, 2011

La Belle et la Bête : new shows added!

You haven't seen La Belle et la Bête yet? Here's your chance! The Théâtre du Nouveau Monde added two news shows on February 22nd and 23rd and good seats are still availabe. To purchase your tickets go to http://www.tnm.qc.ca/billetterie/index.html

For more pictures, visit La Belle et la Bête's section of our website.

Photos: Yves Renaud

What have been said about La Belle et la Bête

“…visually stunning and intellectually intriguing enough to warrant a second viewing." Pat Donnelly, The Gazette, January 21, 2011.

The following are translations from French :

 “Pilon and Lemieux’s technical prowess - and those of the team of specialists who have worked on this impressive project – is so advanced that one quickly forgets one is not at the cinema or in front of a computer.”  Benoit Aubin, Le Journal de Montréal, January 23, 2011.

“We witnessed a reinvention of theatre and were happy we were the chosen ones who got to SEE and LIVE such an extraordinary (theatrical) moment!” Sarah-Émilie Nault, patwhite.com, January 2011.
 
“After La Tempête (2005, TNM) and NORMAN (which has been touring for the last few years), directors Michel Lemieux and Victor Pilon once again showcase their immense talent as visual, avant-garde creative artists. “ David Lefebvre, montheatre.qc.ca, January 21, 2011.

“A fairy tale for adults with undeniably powerful visuals, Michel Lemieux, Victor Pilon and Pierre Yves Lemieux ‘s definitively contemporary interpretation of La Belle et la Bête, beautifully explores the angst of love, intimacy and redemption, while respecting the codes and symbols of traditional fairytales.” David Lefebvre, montheatre.qc.ca, January 21, 2011.

“At one point (during the show) I had to use my binoculars to make sure that it was the real François Papineau on stage and not a 3D projection. And as special effects extend outside the traditional stage onto the walls of the theatre, the spectator has the impression that he is surrounded by the action and immersed in the atmosphere of the play (…) I tell you, find tickets for this play, because otherwise you are going to miss a show that will stay in your mind for a long time.” Nelson Dumais, La Chronique de Nelson, cyberpresse.ca, January 24, 2011.

“Let’s say it outright: rarely has a theatre show created and produced in Québec mastered so beautifully technology and special effects: the spectators are taken on a truly magical odyssey.”  Martine Côté, soundbeatmag.com, January 23, 2011.

“The desire to immerse the spectator in the essence of the play is not only reflected in the intervention of the narrator, portrayed brilliantly and mysteriously by Andrée Lachapelle, but also in the set where Lemieux and Pilon extend their poetic technology off the stage and into the walls of the theatre.” Alexandre Vigneault, La Presse, January 22, 2011.

“The strength of La Belle et la Bête, version 2010, lies in the interaction between the characters and the projections: by not having to constantly change sets, the play gains fluidity and openness.  Say goodbye to the limits of the stage; it is now possible to be in a surreal world and have a play that is capable of transporting us further into an imaginary world.” Hugo Prévost, pieuvre.ca, January 23, 2011.


“Beautifully romantic, without being insipid.”  Catherine Perrin, Six dans la cite, Radio-Canada.

“There is an aura of freshness and creativity with a sensuality and erotic aura constantly present.  I told you that the 2011 theater season was strong, but with this (La Belle et la Bête) we have already reached a peak.”  Annie-Soleil Poteau, C’est bien meilleur le matin, Radio-Canada.

Thursday, January 13, 2011

The first pictures of La Belle et La Bête.

Eager to see our new show? To help you bear with the wait, here are some pictures taken during the rehearsals. The show starts on January 18th at the Théâtre du Nouveau Monde. Click here to get your tickets.

Bénédicte Décary and François Papineau

Bénédicte Décary and, in virtual, Violette Chauveau

François Papineau in virtual and Bénédicte Décary

Andrée Lachapelle and, in virtual, Peter James

Wednesday, December 15, 2010

Théâtre du Nouveau Monde's TV ad for La Belle et la Bête

The Théâtre du Nouveau Monde just released a TV ad for our show La Belle et la Bête. Here it is.


Monday, November 15, 2010

La Belle et la Bête, the costumes

Here are a few sketches made by Anne-Séguin Poirier who designed the costumes for La Belle et la Bête.

La Belle - sketches by Anne-Séguin Poirier

La Dame - sketches by Anne-Séguin Poirier

Tuesday, November 9, 2010

La Belle et la Bête's synopsis

You are curious about what our version of La Belle et la Bête will be like? To give you a little preview, here is the synopsis of our show. 


La Belle et la Bête
A coproduction Lemieux Pilon 4D Art and Théâtre du Nouveau Monde
Conceived and directed by Michel Lemieux and Victor Pilon
Text by Pierre Yves Lemieux

Approximately 90 minutes, no intermission

In this contemporary take on a beloved classic, creators and producers Michel Lemieux and Victor Pilon (Norman, La Tempête, Anima) deliver the timeless fairy tale of La Belle et la Bête in an astonishing new multi-disciplinary performance.

Though the compelling characters in this stunning new production are scarred, they manage to transcend their pain through their inexhaustible thirst for life.  They are intense, luminous beings, despite the shadows and wounds that so deeply mark them.

Belle grew up with loving parents, and an older sister who was a great storyteller.  But as her sister began to grow distant, caught up in a world of superficial pleasures, Belle found her own way through painting - encouraged on by her father, a reputable art dealer - until tragedy struck. Belle's beloved mother died suddenly, and her father, overcome with grief, pulled away from the younger daughter who bore such a striking resemblance to his lost love. 

Through her painting, Belle not only finds a way to make sense of her world, but also finds it to be the last thread that links her to her dear father.  Little does she know, however, that her artistic pursuit would also set the stage for an encounter with her father's most demanding client.

As Belle immerses herself in the solitary life of a painter, a man also seeks solitude after the death of the love of his life.  Grief stricken, he shuts himself up in his splendid manor until, one day, he tries to escape the unbearable pain in a gesture that leaves him grossly disfigured - a Bête.  With this, he withdraws even further from the world.

When Belle shows up at the manor - to deliver the last rose of a stone medallion that her father had promised to his client  - she stirs up memories of happier times that add salt to the Bête’s wounds and further his resolve to remain deaf to any offerings of concern or friendship. 

This chance encounter strikes at the very core of their steadfast resistance.  But while Belle willingly yields to the feelings that begin to fill her heart, the Bête is terrified by the chink in his emotional armor.  He sees no other way to protect himself but to waste away and die.

All the while, watching from the sidelines is La Dame - a world scholar on fairy tales, and the striking older woman who has long harbored a deep love for the Bête.  After suffering in silence for this man who had literally shut himself off from the world, La Dame finally relinquishes her hope.  As the weight of the years finally takes hold of her, she concedes that the only person that can possibly breathe la Bête back to life is Belle. 

Masters of osmosis, blending real and virtual imagery, Lemieux Pilon 4D Art has once again set new standards with this production.   All elements of the presentation  - from Belle's paintings to the characters' dramatic metamorphoses  - spring to life via virtual imagery.   And the virtuosity deployed by the creators to tell the universal story of resilience and the redemptive power of love against all odds will surely hold audiences spellbound.